A Tentative List of Sites to look at

Dear All, here is a tentative list of sites that over the years have attracted my attention. I am putting them all together to save them from terminal loss. The trouble with great web sites is that they appear in your life like excellent jokes, you hear them, you love them, you swear to yourself and to anybody who cares to listen that you will remember that one and tell it to everybody i n sight, and you forget them immediately.
Good oldies (search engines)
A lot of imagination went into the hypertextual possibilities of links even before pageranking implemented by slashdot,com and later Google. I was very inspired to write my book on Connected Intelligence by Thinkmap, a site that is now an industry that began as a thesaurus using a hyperbolic tree connecting all the words that r elated in clusters around a central one that gave it the theme. I recommended them for the Ars Electronica prize back in 1996. Today, the New York based company offers a number of interesting services.
The Brain
Every one one knows about this good, clean design, for browsing one's own content classification. I like the design, but I don't use it, except occasionally as a s ubstitute for Powerpoint when I have the time:
I loved this one at first sight, a French invention of ten years ago, that allowed one, much faster than even Google today, to locate exactly which John Smith you were looking for. They are still around with a clean design and fast interactivity.
Not humongously useful, considering how many city or name-based search engines exist today, but still thrills me for its design.
Smart Money Map-of-market
Martin Wattenberg who created this site is a master web designer. Again this oldie shows an artistic side (check many other sites by Wattenberg) that uses a Mondrian-like design to indicate variations in stock market. Int elligent, beautiful, alive and useful (for those who had money before the crisis!)
Last Fm
Everybody knows this one too, although more recent than the previous ones. The ancestor of this one got a Jury mention at Ars Electronica 1994. It was called homr.org and allowed people to rate music and obtain not only a list of other music they might enjoy based on their ratings, but also created an automatic community of people whose choices were similar to yours. Subsequently it changed names and then disappeared. LastFm is a kind of re-incarnation of the principle, but without the community creation, something that I dubbed, "electronic tastebud" .

Newer issues
There are tons of new things since web 2.0, social bo okmarking and Google-everything (and specially umteen variations on googlmaps). I am including here the ones that come to mind spontaneously, but the list is FAR from exhaustive, and I welcome any suggestion on your part.
This is a very elegant and truly useful site to search, classify and store in a rapidly interactive way whatever you are looking for on YouTube, Flickr, E-Bay and whatnot. Check out the click and drag and set in folder function. Awesome.
Devonthink was recommended and demonstrated to me by Stephen Johnson, best-selling author of just about anything he cares to publish. He claims that he owes it all to this little-known but powerful search engines that probes the contents of your own computer (as GoogleDesk does, but much better) in a rational tag and keyword based fashion. The principle is simple but requires a minimum of discipline (which of course I do not possess!): you simply tag along the quotes and texts and references that you encounter in the course of your writing, surfing and storing, and five years later, you have another book that is almost self-written! If you think that is too ego-centric, just throw the theme of the book in and 24 hours later, the world will have given you stuff you can add to show that you are contemporary to the isssue!
NB: del.icio.us has a system very much like Devonthink, but dedicated to the web, that is outside content as well as stuff inside your hard disk. Try it, you will never leave it.
The following few sites tickle my global art fancy because they all take advantage of the limitless potential for worldwide participation in a common realization or real-time global information.
World clock
This is an all-time, anytime, winner that allows you to see the statistically correct numbers of specific worlwide events, birth, deaths, maladies, car sales, house starts, oil barrels, prices, etc. You can ask for any configuration of data in terms of the day, t he week, the month, the year or the decade. Impressive because it generates instantly a global emotion, the like of which began for me when I saw Apollo's landing on the moon in 1969...

Global emotional circulation
I am putting under this title a group of variations on the theme of global emotion by Maurice Benayoun, a French artist who has developed a strong glo bal sensibility. You may need to dig a bit into this following URL to find stuff that suit your interest more specifically
AtauTanaka's great shared musical composition and playback site

Like Wattenberg, Jonathan Harris is another Webmaster to keep track of. I am very moved by this attempt to provide the user with a real-time array of expressions of emotions around the globe. It paratkes of the same sensibility of the beautiful Listening post by Mark Hansen and Ben Rubin, but inste ad of merely showing you text-based messages flying across neatly arrayed screens, it allows you to interact and select clusters of real-time messages on your screen

The universe.com
The other Jonathan Harris must see, this site offers a dozen different way of arranging and sorting data about news, events and people you need or want to know about immediately. Useful and super aesthet ically.

Another stunningly beautiful browser, not quite global in intent, but created by developers working for Art Futura (a great refernce in itself) to allow people to browse pleasurably and rapidly all the videos posted on line by the world famous TED conference
Hyperlinking the Real World (courtesy of Eduard Vinyamata)
European researchers working on the MOBVIS project have developed a new system that will allow camera phone users to hyperlink the real world. After taking a picture of a streetscape in an urban area, the MOBVIS technology identifies objects like buildings, infrastructure, monuments, cars, and even logos and banners. It then renders relevant information on the screen using i cons that deliver text-based details about the object when clicked.
My own site (in construction but already visitable) is an attempt to provide a background history and a large sampling of existing gloabl artistic installations, web sites and other projects. Only the first four little screens of the 33 that make up the global person - hommage to Nam June Paik - are active, but it gives you an idea. I will be working with Paolo Branigade to complete the site over the year. Help and suggestions are welcome.

See also the lovely site created by Franz Iandolo and his students on the same theme:
Some of my favorite Youtube videos: these are so well-known that they need no introduction. If you haven't seen them, you simply owe to yourself to google them and check them out RIGHT NOW.
Battle at Kruger
Free Hugs
The machine is using us
The YouTube Symphony Orchestra,
Featuring the first-ever collaborative online orchestra, perform ing the "Internet Symphony No. 1 'Eroica'", by Tan Dun.
Have fun and please do me the same favor if you can remember more good sites than good jokes!
Cheers. DdeK


Arts numériques et arts scientifiques

Le Québec avait pris une longueur d’avance depuis vingt-cinq ans dans le domaine des arts numériques et des effets spéciaux pour le cinéma. Le premier film d’animation par ordinateur en 3D Tony de Peltrie, les expositions Images du futur de la Cité des arts et des nouvelles technologies de Montréal, les Festivals de musique électronique Elektra et Mutek, et maintenant la Société des arts technologiques ont notamment contribué à ce succès.
Mais qu’en est-il-il désormais? Le marché de l’art et les musées boudent cet art dématérialisé, dont la conservation est quasiment impossible. Les arts numériques se tournent donc vers les festivals et les nouvelles formes de spectacle, s’éloignant ainsi de la tradition des arts visuels, qui semble aujourd’hui orpheline. Ils optent pour les industries culturelles qui peuvent les financer et leur trouver un public, se fondant dans le divertissement et les mass médias. Mais ils perdent souvent ainsi cette capacité de questionnement politique, qui avait été si forte dans l’art pendant un siècle, depuis les Impressionnistes jusqu’à l’époque des avant-gardes des années 1970-80.
À l’inverse, sont apparus ce que j’ai appelé les arts scientifiques - bio art, art éconumérique, arts de l’espace, du monde économique, qui questionnent les grands enjeux humains d’aujourd’hui, souvent aux limites de la science fiction : manipulations génétiques, intelligence, vie et nature artificielles, nanotechnologies, équilibres écologiques, astrophysique, exploration de l’espace, libertés individuelles, etc. Ces démarches d’artistes-chercheurs liant art, science et technologies numériques, ne rejoignent encore que des publics initiés, mais à l’opposé des arts dits médiatiques, ils explorent véritablement notre nouvelle image du monde technoscientifique et économique, la nouvelle sensibilité esthétique qui en résulte, et participent aux débats politiques de l’âge du numérique. Prennent-ils le relais des arts visuels? Certes, le numérique renoue avec la tradition orale, plurisensorielle, mais c’est sans la mémoire qui assurait sa transmission. Sommes-nous désormais condamnés à une culture artistique numérique sans mémoire, si ce n’est documentaire? Il se pourrait que ce soient les arts scientifiques, emblématiques de l’âge du numérique, qui prennent le relais de l’histoire de l’art.
Hervé Fischer
(Ce texte paraît dans le Guide des Tendances 2009, éditions Isabelle Quentin)


Before and after Google? B. G. - A.G.

Let's give the word today to Karl Fisch, Scott McLood and Jeff Bronman. Karl Fisch, a high school administrator at Arapahoe High School in Littleton, Colorado, pulled together a powerpoint with “some interesting ideas” for teachers at his school. Later, Jeff Bronman and Scott Mcleod, a professor at Univ. of Minnesota, generalized the presentation.And hhis video has been added to Youtube at the end of October and more than 300k persons already watched it…as I see it more and more posted on Facebook We may think that this number will explode easily reaching 1 Million viewed by the end of January.
It is named Exponential Technology. You may see it at: http://www.wikio.fr/video/622441l I invite you to look at it. When l spoke of a "digital shock" in 2000, l was even shy! l wish you a happy new year and keep optinistic. May be tghe best is to come! Well... it depends on all of us! No on the technology, butas the technology changes our ideas, the future may get difficult to master. i don't see how we could survive and improuve our human condition without a mutation of our brain... It would not be the first one un the recent time, since we get down from the trees. Our evolution has always been accelerated in comparison with all other species we know.
We thank Karl Fisch, Scott McLood and Jeff Bronman for their excellent pedagogic video.
Hervé Fischer